David Hazeltine is known for his harmonic sophistication and elegant pianism, traits that were also hallmarks of Cedar Walton's playing. When Hazeltine initially set out make what would become his Smoke Sessions release, For All We Know, making a tribute record was the furthest thing from his mind and it should be pointed out that For All We Know is definitely not a tribute record. Yet, it's hard to ignore the importance of Cedar Walton's legacy to it. Hazeltine is one of the important heirs to Walton's piano tradition, so it is only natural that his gratitude and affection would be dominant themes on this recording. It is also a special record because it documents what is essentially the first collaboration between Hazeltine and tenor saxophonist Seamus Blake. It was a partnership that both enjoyed immensely and that worked particularly well with the rest of the quartet, bassist David "Happy" Williams and drummer Joe Farnsworth.
The album opens with one of Hazeltine's inventive originals, "Et Cedra" which is also one that was overtly written with Walton in mind. In it's melodic twists and turns and it's subtle yet unexpected harmonies, it is quickly apparent why Hazeltine has such a strong following. Other highlights include Kurt Weill's "My Ship" and Hazeltine's obstreperous "Eddie Harris" which gives Blake an opportunity to pay some respects of his own, this time to the funky saxophone master. When For All We Know concludes with "A.D. Bossa," the realization sets in that although jazz has lost some of its greatest talents, there is another generation that is dedicated to keeping the art form vital and alive.
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