With his second Mack Avenue Records release, The Messenger, acclaimed guitarist Kevin Eubanks continues
to explore his own unique musical vision. This vision offers the
listener an opportunity to share a musical journey that truly
exemplifies where Eubanks is at this stage of his illustrious career;
one that, for over three decades, has seen him incorporate into his
creative process a willingness to embrace the broad spectrum of his
musical experience, while continuing to seek out new vistas.
The Messenger is
a project that reflects not only the guitarist's virtuosity on his
instrument, but also his impressive compositional skills-writing all but
two tracks. Best described simply as a "Kevin Eubanks" recording-without specific categorization-as his intent with The Messenger is
to communicate the breadth of his artistic influences. "I wanted to
branch out a little bit more on this recording," Eubanks states. "I
didn't want to be as concerned with the 'jazz sound' as much; I wanted
to let out a little bit more of what I've been musically exposed to."
Eubanks compares this philosophy to sports: "It's like with professional
athletes; most of those guys can play three or four sports. Society
makes you choose one or the other. But that doesn't change who you are
inside," or in Eubanks' case, preventing him from showcasing his
versatility on this album.
From
the infectious groove of the title track that begins the program, the
guitarist gives notice that a unique listening experience is on the way.
This album is: reflective-"Sister Veil," "Queen Of Hearts," "Loved
Ones," "The Gloaming"; funky-"JB," a nod to James Brown; "Led Boots," a
Jeff Beck tune; and John Coltrane's "Resolution," from A Love Supreme;
and bluesy-"Ghost Dog Blues." One of the funkier tracks on this
recording is Eubanks' arrangement of "Resolution" (with a vocal bass
line sung by Alvin Chea of Take 6). "With 'Resolution,' I didn't want to
be blasphemous, with people saying 'Oh, no, he didn't'," Eubanks
laughs. "But I'm thinking, you know, that maybe Trane might dig it!" As
for the blues: "I like playing the blues; I like to sit in and jam with
Buddy Guy at his blues club in Chicago. If I had the opportunity, I'd
play a lot more blues." These particular tracks provide Eubanks and his
band with an opportunity to stretch out and essentially just jam.
Eubanks ultimately reflects, "We wanted the groove to take over; also,
those tunes will be fun to do live, and people will be able to sit in."
Eubanks is joined on most tracks by his sterling fellow quartet members: Billy Pierce on reeds, Rene Camacho on bass, Marvin "Smitty" Smith on drums and Joey De Leon, Jr. on percussion. This project also has a family flavor, featuring younger brother Duane on trumpet ("Sister Veil," "JB," "420"), and older brother Robin
on trombone ("JB," "Queen Of Hearts"). For Eubanks, in addition to his
brothers making valuable contributions to this recording, their
involvement is representative of something more. "Their participation
came about through some conversations that we've had, and I asked them
if they'd like to be a part of the record. We've actually been talking
about doing a family project for years, so their participation is really
an entry to that."
Perhaps The Messenger's most distinctive element is its broad sense of musicality. This is certainly, in part, attributable to
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Photo Credit: Raj Naik
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Eubanks' experience with leading The Tonight Show with Jay Leno band
for so many years. But it is much more than that. Eubanks' prestigious
tenure there is probably more indicative of a situation that was a
perfect fit for his musical personality. As Eubanks views it, ''to me,
it's all just music."
For
this album, it was important for Eubanks not only to embrace his
musical philosophies, but also to reflect the common thread that exists
throughout all of contemporary music; for example, the aforementioned
rhythmic, funky, groove-oriented nature of several tracks on the
project. "I love playing funk; I grew up playing it. The 'Motown Sound'?
They were jazz musicians! If I had played '420' for some cats who are
real 'funkateers,' they'd say, 'Whoa, I hear some Sly [Stone] in there,
and I'm thinking, 'Ok, it looks like I'm good to go.' It felt good and
very natural to me. As jazz musicians, we can play anything."
The Messenger is
Eubanks' testament to being musically honest. It's a realization of
what he feels is particularly important at this point of career and his
life. "I feel that I'm at the point where I just have to be me," he
says. "I want to do what has the most immediate honesty, and just lay it
out." Throughout the album there is a feeling of exploration and
revelation that invites the listener in. The guitarist never ceases to
surprise, creating a program reflecting that honesty-offering a full
range of moods, textures and tempos.
With this album, Kevin Eubanks takes
another step in his evolution not only as a guitarist and composer, but
also as a musical communicator. It's his way of making a statement
about his personal view regarding the musical spectrum and its place in
our lives, with sincere ideas of spreading the word to others. Arriving
at the name of the title tune, Eubanks explains, "There is an urgency
about it; it has the energy of a message that really should get across. The Messenger,
I feel, is in everyone. We're at the point [in our lives], that
whatever it is that you feel strongly about, that can help a person or
persons that you love, or a situation that affects your life...you
should let that message out".
By adding another sterling recording to his outstanding repertoire, Eubanks has done just that-let his message out. The Messenger is
a project that not only showcases the outstanding technical facility
from the guitarist and his bandmates, but also is full of music that is
soulful and energetic, as well as emotive, earthy, with a touch of the
blues. And for Kevin Eubanks, it represents a message successfully delivered.
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